![]() The AD Department is something like the center of a wheel, keeping all the other departments joined together in order to make the whole production move forward. To understand the collective film crew hierarchy of all on set jobs, let’s take a look at below the line film crew positions department by department. Contained within each of these individual departments, a separate film crew hierarchy exists in miniature, starting with a department head and working down to increasingly specialized film crew job descriptions. As such, below the line film crew job descriptions are many and varied.Ī film production hierarchy chart would break this massive collection of movie set jobs down into separate departments that correspond to related film crew job descriptions. BELOW THE LINE CREWīelow the line film crew positions make up the vast majority of any film crew hierarchy. The fact of the matter is that above the line film crew positions rely entirely upon the hard work and critical thinking of those professionals with boots on the ground: the below the line crew. While many above the line film crew positions are very important and do carry a great deal of power, they are not inherently “better” than the rest of their film crew family. However, their existence as one of the above the line film crew positions demonstrates an important principle.ĭespite its typical use, the phrase “above the line” does not denote superiority in any way. The casting director is in charge of finding the right performers for a given project.įor obvious reasons, the casting director’s job is often finished long before physical production begins, and, in that sense, they operate entirely outside of the day-to-day film crew hierarchy. While you wouldn’t necessarily find them on a film production hierarchy chart, on-screen talent always ranks high in the film crew hierarchy food chain. Technically, of course, actresses and actors are not considered film crew positions, but they do represent some of the most crucial movie set jobs in existence. Whether they’re SAG or just SAG-eligible, the salaries of any principal cast members represent the most typical above the line costs in any feature film or television show’s budget. (And don't forget to budget for payroll!!) The simple contribution of their name to a project might be enough to warrant an executive producer credit. ![]() In fact, the title is so malleable that some executive producers aren’t involved with production crew duties at all. ![]() Some executive producers may have had a direct hand in financing a film, while others may have been awarded the title as additional incentive for some other contribution, like scripting or advising. They often fulfill highly specific film set roles, but the exact nature of their responsibilities can vary dramatically from one executive producer to another. In the world of feature film crew job titles, “executive producer” is a catch-all term that represents authority and respect without necessarily denoting any specific film crew jobs or tasks. They aren’t necessarily the ultimate authority on a given project, but they are responsible for shepherding it creatively through the entire creative process, meaning they exert great influence over all other film crew positions.Īs such, you’d find them near the top of any film production hierarchy chart.Įach time a producer or crew member uses Wrapbook, the software will add the member to a film crew list. The Director provides the guiding creative vision for a production. ![]() Let’s break down some of the most common above the line film crew positions: 1. (Here's more info on how to maximize incentives). They’re the ones who make major decisions and are often directly or indirectly responsible for securing financing. If you were to construct a film production hierarchy chart for a production’s entire duration, the above the line film crew positions would generally be found at the very top.Ībove the line crew members are those who carry the most creative or financial responsibility for a given project, and they’re usually working all the way from pre-production to post. In practice, however, being above or below “the line” represents the first major division in film crew hierarchy. In theory, this simple accounting designation is the only real difference between the two categories. When the topics of movie set terminology and film crew jobs converge, the first two phrases you’re likely to run into are “above the line” and “below the line”.īoth terms originate from a common practice in production budgeting, in which a literal line is used to visually divide film crew positions that are paid according to a pre-negotiated, fixed rate (“above the line” crew) and film crew positions that are paid according to a variable hourly or daily rate (“below the line” crew).
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